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Timbales

How the timbales sound in salsa: the cáscara on the shell, strokes on the heads and the timbalero's fills. Listen to cáscara in 3-2 and 2-3 and the cha-cha-chá rhythm, on its own and with the band.

Rhythm

Cáscara in the verse, 3-2 clave.

Speed
165BPM
  • rim
Block 1
1&2&3&4&5&6&7&8&

What it is

Timbales are two metal drums on a stand — the higher macho and the lower hembra — with bells and sometimes a cymbal. The timbalero plays with sticks.

They came from Cuban danzón and charanga. In a salsa band the timbalero leads the moves from one part of a song to the next.

The strokes

Rim: the stick on the drum's metal shell, a dry click. It's what the cáscara is played on.

High and low: strokes on the macho and hembra heads, for accents and fills — short rolls before a new part of the song.

The cáscara follows the clave, so it differs in 3-2 and 2-3. In cha-cha-chá it's simpler: a click on the shell on 2 and an open hembra on 4.

What a dancer hears

The cáscara is dense and steady through the verse. What helps a dancer most are the timbalero's fills: a short roll at the end of an eight warns that a new part of the song is coming.

In cha-cha-chá the open stroke on 4 is the cue for the "cha-cha".